Soundtrack Nation is a Film & TV music supervision, production, and composition company located in Brussels.
Our priority is music supervision – we work closely with directors, producers, and creatives to advise, curate, and clear the perfect music for every moment of your story.
Through spotting sessions, we define musical intentions at every timecode, create detailed cue sheets, and follow the process through to the final mix — where edits can be performed if needed to achieve the perfect result.
Our experienced team delivers world-class music production and original compositions, providing fresh arrangements and innovative sounds tailored to projects of any scale – always on time.
Because at Soundtrack Nation, music is crafted to serve the story — shaping its pace, revealing its emotion, and letting each scene shine.
From first note to final mix, we’re all ears!
Team
Ernst W. Meinrath
Born in Brussels, Belgium, Ernst began his musical education in Paris at the age of five, studying solfège at eight and counterpoint at fifteen. While his early training was devoted entirely to classical music, he later broadened his horizons with studies in Jazz and Pop/Rock.
In 1989, Ernst founded his first company, Musicom. With the band Airlock, he entered the world of composing for picture. Beyond live performances, he positioned the group for commercials and jingles, working with clients such as Columbia Pictures, Buena Vista, Pioneer, and Sony. His work on film trailers soon became the springboard to full-length feature scoring.
Over the next six years, Ernst honed his craft by composing for many short films. During this time, he also co-produced the cult Belgian film Dikkenek.
As a composer, producer, and music supervisor, Ernst has collaborated with Luc Besson, After Dark Films, Cutting Edge, and many others.
Today, he continues to write, produce, and supervise music across a wide range of styles and media.
Jacques-Yves Le Docte
Jacques-Yves Le Docte is a prominent figure in the music world, with over thirty years of experience in artistic programming, consulting, and the production of creative projects with international reach. A self-taught musician, he has composed for theater and cinema, and collaborated on numerous film productions with directors such as Jaco Van Dormael and Yves Hanchar.
He has curated renowned concert series at the Palais des Beaux-Arts in Brussels and served as artistic advisor at Charleroi Danse and the Ballet National de Marseille. With choreographer Frédéric Flamand, he created soundtracks for a dozen acclaimed dance performances, including Silent Collision and La Cité Radieuse.
Specialized in Korean traditional and experimental music, he became an expert after ten years of study and organized European tours with Korean ensembles, reinforcing his role as a cultural bridge. He also collaborated closely with Yo-Yo Ma as a musical advisor for the Silk Road Project, and worked with Théâtre du Soleil in Paris and the Concertgebouw in Amsterdam.